Monday, May 30, 2016

Opportunities

As I'm nearing the deadline for finishing Book 5 (still untitled, but I'm getting there!), I also have to start working on what my publisher calls LRMP, or Long Range Marketing Plan. This helps her understand what I'm willing to do to help insure sales and to find outlets for my books.

Of course, there are the usual places to sell books--indie bookstores, Barnes and Noble, Amazon, etc. Those are quite obvious places to sell books. But sometimes they aren't the best places for an indie author to sell books. For one thing, they sell a LOT of books, many of them by authors who are far better known. It's easy for a first-time author (or even one with a track record, but not a lot of exposure) to get lost in the numbers. One of the best things an author can do is try to find other outlets to sell their books.

I discovered Mike Orenduff's "Pot Thief" series while visiting Gruet Winery in Albuquerque, NM. He had taken a specific detail in his series--namely, that his protagonist, Hubert, had an affinity for Gruet wines--and used it as a marketing point. To that end, when I decided to make Noisy Water Winery in Ruidoso, NM the place of employment for one of my secondary characters (and gave my protagonist a taste for their wines!), I told the owner, who also happened to be my boss, that I had just had a book published. Before he even knew what it was about or that his winery was mentioned, he offered to carry it in his store. Four books later, Noisy Water has hosted every launch party since then and carries the entire series in their store and on their website.

An author needs to take their book out of the box labeled "book" and see where else it will fit. Does it deal with a specific period of time or a particular place? Contact historical museums or chambers of commerce (some have gift shops) to see if they are interested in carrying them. Think about your story's setting. Mine is an RV campground. Many have gift shops. I carry promotional bookmarks to leave and have donated a few books (with purchase information tucked inside) to their libraries. Is there a gift shop in your area that is all about "local" stuff? They might want to carry a local author's work. Hospital gift shops might be interested in carrying books, especially non-fiction work about hope and inspiration or light reads for patients to pass the time.

And there are non-traditional places to sell books, too. Once a month, during the summer, I set up a table at our local Art Walk. This takes place every third Friday night in our city's downtown area. Food vendors, live music, and artists (writers are artists, you know!) set up booth's to sell their wares. It only costs me $10 for a three-hour spot and I meet a lot of people and sell quite a few books. What about local festivals, farmers markets, church events?

Keep an eye out for local author events where you can give a talk and sign and sell books. Is your library celebrating a milestone or promoting a cause or event that ties in with your book's topic? Strike up a friendship with librarians, Friends of the Library organizations, bookstore owners, and employees. They can clue you in to author and book events or festivals in the area and suggest other venues.

In this day and age, it makes sense to make a book stand out. It's hard to make it stand out when there are many other books around it, so an author needs to look for venues where a book will draw attention.
My own table at the Celebrate Authors event last year at the Picacho Hills Country Club in Las Cruces, NM. The manager at Barnes and Noble introduced me to the president of the local Friends of the Library organization which hosted the event. I have a standing invitation!

Monday, May 16, 2016

On the Radio (again!)

Today's Back Deck Blog is a re-run from last November. I will be making a "return appearance" on Barbara Hodges' radio show tomorrow, Tuesday, May 17, to discuss my latest Black Horse Campground mystery, "At the Crossroad". My co-guests tomorrow will be fellow OTP authors, Lorna and Larry Collins. Here is the link to tomorrow's show:

http://www.blogtalkradio.com/rrradio/2016/05/17/red-river-radios-no-limits-with-barbara-m-hodges

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This coming Tuesday, November 17 at 4 p.m. (Mountain time), I'll be a guest on Barbara M. Hodges blogtalk radio show, Red River Radio's No Limits with Barbara M. Hodges. This is not a local radio show following the farm to market report. This is a nationwide broadcast. Most of the listeners will be complete strangers who have never heard of me or my books. Am I nervous? No. Not at all.

Petrified? Oh, yeah!

It helps to know I'll be sharing the airwaves with fellow Oak Tree Press author, Virgil Alexander, author of "Saints and Sinners" and "The Baleful Owl", mysteries both set in Virgil's home state of Arizona. With my Black Horse Campground series set in New Mexico, the Southwest will be well-represented on the show!



I blame my jitters on the fact that this event is definitely pushing me out of my comfort zone. A nationwide audience is a bit more intimidating than a local one. Locals, by their very nature, embrace their counterparts. They're always out to support "our local gal". And I am very grateful for that! It's given me to courage to pursue my writing career. Knowing there are people who like my books motivates me to keep writing. And while I know that there are those who don't care for my stories, that's okay... I know not everyone will like them. But the "locals", like family, still love you anyway. Kind of like Grandma's tapioca pudding... it might have a few fans, but even the ones that wouldn't eat it if they were starving still love Grandma! Tomorrow, I face an audience who's never met Grandma and hope they like her... even if not her pudding!

So tomorrow, I take a deep breath and present myself and my Black Horse Campground series to what will hopefully turn into a larger readership. The link to the radio show is below. Feel free to call in if you're so inclined!

http://www.blogtalkradio.com/rrradio/2015/11/17/red-river-radios-no-limits-with-barbara-m-hodges

Monday, May 9, 2016

Critique Groups--a guest post from fellow OTP author, Marilyn Meredith

Today, as I recover from Mother's Day weekend at the bakery, I turn the Back Deck Blog over to fellow OTP author, Marilyn Meredith, who writes not one, but TWO, mystery series: The Rocky Bluff P.D. series and the Tempe Crabtree series. Let's see what she has to say about the value of critique groups and learn more about the latest book in her Rocky Bluff P.D. series, "A Crushing Death":
*****

When people ask where I learned how to write, my honest answer is “from my critique group.” I’ve belonged to the same group for nearly 35 years. The members have come and gone as time passed, though the originator is still with us.

I’ve learned more about all aspects of writing than I ever did from any class, book or magazine from the members of this group. They’ve always been my main resource.

Now, I consider the group as my first editor. Our leader, now retired, taught Honors English. She’s taught me more about grammar than I ever learned in school, and always catches those kinds of mistakes. The other members are great for letting me know if what I’ve written makes sense, catching errors in continuity and supplying me with many ideas.

What I’ve learned about critique groups and the people who are in them:

To be in a critique group you need to be able to take criticism and not get your feelings hurt or argue with someone about their critique. As I’ve told those in our group, I wouldn’t come if they didn’t tell me what was wrong. I don’t attend to be told how wonderful everything I write is, because I know it’s not. Even if I don’t agree with what someone has said, I make sure to go over what bothered the person. I might not make the exact change he or she suggested, but I’ll probably do some rewriting to make clearer whatever they didn’t like.

Those who critique shouldn’t make comments like, “I don’t like that kind of fiction.” Each person should pay attention to the person reading and make suggestions that would make the writing better.
Some groups only take people writing in same genre and who are all published. Because I learned so much from the critique group, I’m happy to share what I know with new writers. It might take a new person a while to catch onto how to give a critique, but he or she can always let you know if they understood what you read and if it conveyed what you were trying to get across.

What you want in your group are people who are serious about writing--preferably writers who bring something to read to most meetings.

Anyone had good or bad experiences with critique groups you’d like to share?

Marilyn aka F. M. Meredith

A Crushing Death
A pile of rocks is found on a dead body beneath the condemned pier, a teacher is accused of molesting a student, the new police chief is threatened by someone she once arrested for attacking women, and Detective Milligan’s teenage daughter is has a big problem.



http://www.amazon.com/Crushing-Death-Rocky-Bluff-P-D/dp/1610092260/ref=sr_1_1?ie=UTF8&qid=1457618775&sr=8-1&keywords=A+Crushing+Death+by+F.M.+Meredith

Bio:
F. M. Meredith who is also known as Marilyn Meredith is nearing the number of 40 published books. Besides being an author she is a wife, mother, grandma and great-grandmother. Though the Rocky Bluff she writes about is fictional, she lived for over twenty-years in a similar small beach town. Besides having many law enforcement officers in her family she is counts many as friends. She teaches writing, loves to give presentations to writing and other groups, and is a member of Mystery Writers of America, three chapters of Sisters in Crime and on the board of Public Safety Writers Association.

Facebook: Marilyn Meredith
Twitter: MarilynMeredith
Tomorrow you can find me here:




Monday, April 25, 2016

A Day in the Life of a Writer (This One!)

Many people have a distorted and romantic image of writers... we sit around all day, staring out the window, dreaming up the latest plot twist, then burn the midnight oil in a frenzy of getting it all down on paper. Then we spend a few days working with either a kind, gentle-hearted editor who painstakingly leads us through line edits to make our prose shine like a diamond as we sip tea and nibble on scones... or else we spend weeks chained to our desks while an editor mercilessly whips us through changes in our storyline, characters, and details, thus driving us to the bottle. And I don't mean water.

Nope.

Sorry to burst many a bubble, but many authors, myself included, have a very simple and quite boring life, complete with bills, laundry, dishes, and *gasp* a job! I don't mean THE job, meaning the writing. I mean a "wear a uniform and punch a clock" type of job.

Here's my typical day:

Up at 4 a.m. because I have to drive 30-minutes to work every day and I clock in at 7 a.m. and I need to have time to pack lunches, make breakfast, and look presentable before I venture out of the house. This requires copious amounts of coffee and a good attitude. Most days I just manage the coffee.

Once I arrive at work, I slip on my dark blue Walmart vest and hair net and step behind the bakery counter. I wish I could claim the next 8 hours pass in a euphoric state of creative expression as I whip out decorated cakes for special orders and to fill the showcase. Like Willy Wonka, life is a never-ending series of creating beautiful and delectable desserts.

Not even close.

Between checking in and putting up freight (in the freezer), stocking pre-made cakes, and (every cake decorator's favorite pastime) dealing with customers--some wonderful, many less so--in addition to the ever-exciting cleanup duty, there is little time for actually enjoying the creative process. It's a lot like writing.

I clock out at 4 p.m. and go to pick up my husband and return home--another 30-minute drive. Depending on the day of the week, we might have to get groceries (what can be more fun than walking around Walmart after an 8-hour shift with many other zombie-like people in the same frame of mind?), or stop to pick up bottled water (20 gallons a week for cooking and drinking... our well water is not the best tasting), or stop and pick up the mail at our rural post office. Then home to cook dinner, take care of household chores like laundry, dishes, and bills. On rare days (maybe once or twice a week) we sit down as a family after dinner to watch TV or a movie. The guys (husband and son) are more likely to veg in front of the TV for a couple of hours, but I usually get my "NCIS" fix and then head into my office to get some writing time in. If I'm lucky, I might get an hour, but I do have to get some sleep to start the cycle again the next day.

There are some variations. On Saturdays, I work an earlier shift, 4 a.m. to 10 a.m., because I either have to report to my part-time job at Noisy Water Winery (almost too much fun to be called a job!) or there are family obligations out-of-town, or--on really rare occasions--there are book-related events to attend. Sundays are my usual day off, which we start off with Mass at our local parish, then followed by family breakfast and then a day of catching up on chores, just relaxing, or *gasp* getting some writing time in.

In short, "the writing life", as it is often imagined, is far more fictional than anything I can come up with. One thing is clear, however: with so many responsibilities and duties demanding my attention, how am I able to write a mystery series as well?

Because I love it. That's all.

When two worlds collide, in a good way....

Monday, April 18, 2016

Just Keep Writing, Just Keep Writing....

I posted an original blog post about my biggest fan on the OTP blog yesterday (http://otpblog.blogspot.com/2016/04/a-tribute-to-my-biggest-fan-by-amy-m.html), so today I'm offering a "rerun" of a Back Deck Blog post from March of 2015.

It happens to almost every writer at some time or another. Despite the great ideas pinging around in your head, the impatience to get to the next scene, the excitement of getting another story down on paper, you hit a speed bump and you have no idea where to go next with your words.

If you look on the map, that's where I am right about now.

I'm in the early pages of my fourth book in my Black Horse Campground series and I know where the story is going; I know what's going to happen; I have the scenes all worked out in my head and even know what the dialogue is going to sound like... later on in the book. But I'm not so sure what's supposed to happen between where I am at the moment and where all the above is supposed to take place. And I admit, I'm stalled.

What to do? Well, as tempting as it may be to convince myself that shelving the project and starting a new one is the best thing to do, it's not going to make this road block go away. Neither is immersing myself in a non-stop "NCIS" marathon and eating copious amounts of Blue Bell Italian Cream Cake ice cream (I'll save that for when "NCIS" is cancelled.) So I am compelled to take the advice of one of the most endearing Disney characters in recent years (though if you knew her in real life, you'd probably run in the other direction when you saw her coming):

Substitute "writing" for "swimming"

I've found that what works best for me when I encounter a "block" is to write through it. Of course, the reality is that perhaps 90-100% of what I write during this time may be discarded once I find my true path and sometimes it's a struggle to sit down an do it every day... but the record has shown that, for me, the best thing to do is keep trudging ahead. Eventually, I see a path and then it leads me to the place I need to be. Then I can look back and see where I went wrong and go back and clearly mark the path so others (my readers) can follow where I've gone (I do, however, keep track of my meanderings; after all, they might not have been the path for THIS book, but they might mark the one for the next!)

While I might be the last person to boldly go forward past the sign that says "Road Closed", I've learned that when writing, it's always best to proceed, perhaps not with caution, but with a sense of adventure. You never know what you'll find around the next bend.

Monday, April 11, 2016

There's One in Every Family....

I've often said that characters in a work of fiction come to feel like family to the reader. This is even more true for an author who lives and breathes in these characters for months or years at a time. And for those of you with short memories, yes, I do write murder mysteries, but let's leave that aside for the moment.

In every family--indeed, any group of people like friends, co-workers, classmates--you have certain types that seem to have a place in the group. You can call them archetypes, or stock characters, but I call them, "that one in every family". I'm not necessarily talking about the main characters, commonly referred to as "the hero", "the heroine", "the villain", or "the sidekick", but more the secondary characters that add a lot of color and depth to the story. While I'm going to focus on my own Black Horse Campground series, look around the book you're currently reading (or the Thanksgiving table later this year) and see if you agree:

The Best Friend--I'm starting with this one because one of MY real-life best friends confessed that she couldn't stand my main character, Corrie's, best friend, Shelli:  

You know I really hate women like Shelli they remember everything and are always reminding you of all the stupid things you have done in your past!! lol they talk to much too.

And yet, they have always been there, haven't they? And their reminders of what happened in the past usually serve to remind our hero/ine that they made it through before and they can do it again! Besides, who else is the hero/ine going to talk to about the stuff they're not supposed to be talking about to the other characters?

The Busybody--In the old TV series, "Bewitched", Gladys Kravitz was the nosy lady across the street who was always peeking through her curtains to see what the neighbors were up to. In a murder mystery, what better character type to witness something they shouldn't and stir up trouble by gossiping about what they saw? And, if necessary, they make a convenient murder victim! Not to worry, BHC fans, I'm not planning to do away with Rosemary Westlake or Dana Myers... yet.

The Thorn in the Side--Not really an enemy, not really a villain, just a character that shows up, usually at the most inopportune time, to give the hero/ine a low-grade migraine just when they need to be on top of their game. It can be that kid from grade school that always made fun of you (think Nellie Olsen in the "Little House" book and TV series) or the ex that can't seem to let the past stay in the past (Meghan, Sheriff Rick Sutton's ex in my series). Again, they might make convenient murder victims (as has been suggested to me numerous times as a way to resolve the Rick-Corrie-J.D. triangle) but complications help build a better story.

The "Femme Fatale"--Okay, this one I play for laughs, mostly, in my Black Horse Campground series--Dee Dee Simpson is more Naomi from "Mama's Family" than she is Alexis Carrington of "Dynasty". She makes the men blush and the women roll their eyes, but she's really got a heart of gold and wants to help however she can. Some might call her "trashy" because she "wears her clothes too tight and her hair is dyed", to quote the song by Confederate Railroad, but Dee Dee doesn't see herself that way and her opinion is the only one that matters to her!

The Wise One--There's always one character every other one seems to be able to go to for advice or to find a sympathetic ear. In the TV series "NCIS", it could be "Ducky" Mallard or Mike Franks. In the Black Horse Campground series, it's Corrie's long-time friend and surrogate aunt, Jackie Page, who always has good advice, or Myra Kaydahzinne's grandmother, in "No Vacancy", who conveys important information and gives the main character encouragement in dark times.

There are many, many others that I could enumerate, but these are the ones who seem to appear in almost every storyline, whether a book, movie, or television show... and, of course, in real life.

Family... ya gotta love 'em!

Monday, April 4, 2016

Growing Pains and Character Development

When I first started thinking about becoming a mystery writer, I discovered that there are two different types of mysteries... those that are plot-driven and those that are character-driven. In the plot-driven mystery, it's the puzzle, the "whodunit", that drives the story. The characters, while engaging, are merely along to solve the puzzle. Agatha Christie mysteries are the archetype of a plot-driven story: Poirot and Miss Marple don't change much from one book to the next, no matter what kind of mystery they investigate or what happens to them.

I prefer character-driven mysteries. In a character-driven mystery, the story and mystery grow out of the characters and their lives. And the way the story unwinds and the mystery is investigated and solved depends a lot on the characters and how they deal with any kind of event in their lives.

I'm a huge fan of mystery series, which is one of the reasons why I decided to write one. Another reason is that I love to watch characters grow and develop. Whenever I finish a "stand-alone" book, I always find myself wondering what happened to the characters after the events in the book ended. DID they live happily ever after? How did they deal with other changes in their lives? Were there other adventures we would like to hear about?

The first book in a series is like the pilot of a long-running TV show. About the only show I watch regularly is "NCIS". After eleven years on the air with basically the same cast members and characters, one would think that I would have gotten bored. What keeps me engaged with any characters in a series, whether on TV or in books? Watching them grow and develop as time goes on.

I've never met a parent who ever claimed that watching their child or their children grow was boring. Nail-biting, sleepless-night-inducing, tears-of-joy-producing, and never a dull moment for sure! If an author writes his or her characters correctly, it should be the same as watching a child grow.

A character starts out with the basics--name, appearance, profession, and personality, maybe a little backstory to keep him or her from being completely faceless. As time goes on, the readers--and the author!--learn more about the character and this can lead to new plot lines and new growth which leads to... you get the idea.

It's rare that a real-life person remains static and unchanging. People are affected by events in their lives and the other people they come in contact with. And they change. Sometimes for better, sometimes for worse, but there is always a change of some kind, even if it's just in their perceptions, if not in their outward appearance and actions. The same is true for characters. In order to keep readers engaged, I think it's important for the author to keep their characters as real as possible. This means allowing them to change and grow. Some authors fear that changing their characters will result in readers losing interest in the series. As in any kind of relationship, there is always that type of risk with any kind of change. But one piece of advice I received early in my writing career was this: the only characters that should not change are dead ones.

In my Black Horse Campground series, there are several changes that occur in the lives of my three main characters, Corrie, Rick, and J.D. They all react to change differently and it affects them all in different ways. It is my hope that readers will enjoy watching them grow and change as life marches on, as it does with all of us.